Isang Landmark sa Tribeca. Muling iniisip ng wHY Architecture

Kung saan nagtatagpo ang makasaysayang arkitektura at makabagong sining, ang 64 White Street ay isang bihirang pagkakataon para sa kolektor, tagalikha, o visionary na pinahahalagahan ang disenyo bilang isang pagpapahayag ng pagkakakilanlan.

Orihinal na itinayo noong ika-19 na siglo at muling binuo noong 2018 ng kilalang arkitektong si Kulapat Yantrasast, founding partner ng wHY Architecture, ang landmark na ito sa cast-iron ay binago upang maging isang vertical gallery na may kalidad ng museo — isang buhay na canvas para sa sining, disenyo, at modernong buhay. Si Yantrasast, na kilala para sa kanyang trabaho sa mga institusyon tulad ng The Metropolitan Museum of Art, The Speed Art Museum, at The Louvre, ay nagdala ng kanyang natatanging kumbinasyon ng katumpakan, proporsyon, at liwanag sa Tribeca.

Sa loob, ang isang tatlumpu't limang talampakang atrium ay bumubuhos ng likas na liwanag sa mga panloob, na nakatayo sa isang custom rigging beam na dinisenyo para sa monumental na mga instalasyon — kabilang ang dalawampu't limang talampakang chandelier ni Jeff Zimmerman. Isang lumulutang na hagdang-bato ng marmol, na hiwa upang ang mga ugat ay bumangon sa tuloy-tuloy na galaw, ang nag-uugnay sa tatlong antas ng nagniningning na espasyo: isang malaking exhibition hall sa pangunahing palapag, isang mezzanine na may mga pribadong opisina at viewing rooms, at isang mas mababang antas na nagtatampok ng curated archive, conference area, at catering suite.

Bawat detalye — mula sa mga bespoke na banyo nina Katie Stout at Jeff Zimmerman hanggang sa ugnayan ng raw cast iron at pinong bato — ay sumasalamin sa isang tuluy-tuloy na diyalogo sa pagitan ng pamana at inobasyon. Ang resulta ay isang natatanging pahayag na arkitektural: isang cast-iron landmark na muling iniisip para sa modernong buhay at malikhaing layunin.

Pamanang Arkitektura

Itinayo noong 1869 at kilalang-kilala sa kasaysayan bilang The Grosvenor Building, ang 64 White Street ay inatasan ni Matilda Grosvenor bilang alaala ng kanyang asawang si Jasper Grosvenor, isang kasosyo sa pioneering locomotive firm na Rogers, Ketchum & Grosvenor. Dinisenyo ng arkitektong si William W. Gardiner sa magarbong istilo ng Second Empire, ang cast-iron façade ng gusali — na may mga Corinthian columns, Doric pilasters, at isang arko sa itaas na may nakasulat na ‘Grosvenor Building 1869’ — ay nananatiling isang natatanging simbolo ng industrial era ng Tribeca.

Komposisyon ng Espasyo

• Tatlong palapag na atrium na may rigging beam para sa malakihang mga instalasyon
• Lumulutang na hagdang-bato ng marmol na may tuloy-tuloy na ugat
• Mabangis na brick walls at orihinal na cast-iron columns

Mga Antas

• Street Level (3,300 SF): Malawak na exhibition hall na may oversized windows at mataas na 16’ ceiling height
• Lower Level 1 (1,785 SF + 545 SF): Perpekto para sa mga pribadong opisina, viewing rooms, o showroom na espasyo
• Lower Level 2 (2,518 SF + 406 SF): Archive, conference, at catering areas na may potensyal para sa flexible na paggamit

Mga Sistema

• Ganap na modernisadong mga mekanikal, elektrikal, at HVAC na mga sistema

Mga Katangian ng Arkitektura

• Cast-iron façade na may 30 talampakang harapan
• Itinalaga sa loob ng Tribeca East Historic District

Mga Espesipikasyon ng Ari-arian

• Kabuuang lugar: 8,554 SF
• Zoning: C6-2A
• Tax Class: 4
• Turnkey condition para sa malikhaing komersyal na paggamit

Lokasyon

Nakaset sa pagitan ng Broadway at Church Street, ang 64 White Street ay nag-uugat sa isang bloke na sumasalamin sa dualidad ng pamana at modernong luho ng Tribeca. Napapaligiran ng mga gallery kabilang ang Bortolami, Andrew Kreps, at Anton Kern, ang address ay nasa gitna ng mga cobblestone na kalye, Michelin-starred na mga restawran, at mga pangunahing fashion houses. Sa isang kapitbahayan kung saan nagtatagpo ang industrial na kasaysayan at makabagong disenyo, ang 64 White Street ay sumasalamin sa parehong makasaysayang kaluluwa ng cast iron at ang pananaw ng isang modernong obra maestra.

A Tribeca Landmark. Reimagined by wHY Architecture

Where historic architecture meets contemporary artistry, 64 White Street stands as a rare opportunity for the collector, creator, or visionary who values design as an expression of identity.

Originally built in the 19th century and reinterpreted in 2018 by acclaimed architect Kulapat Yantrasast, founding partner of wHY Architecture, this cast-iron landmark was transformed into a museum-quality vertical gallery — a living canvas for art, design, and modern life. Yantrasast, celebrated for his work with institutions such as The Metropolitan Museum of Art, The Speed Art Museum, and The Louvre, brought his signature blend of precision, proportion, and light to Tribeca.

Inside, a thirty-five-foot atrium floods the interiors with natural light, anchored by a custom rigging beam designed for monumental installations — including Jeff Zimmerman’s twenty-five-foot chandelier. A floating marble staircase, cut so the veining rises in continuous motion, connects three levels of luminous space: a grand exhibition hall on the main floor, a mezzanine with private offices and viewing rooms, and a lower level featuring a curated archive, conference area, and catering suite.

Every detail — from bespoke bathrooms by Katie Stout and Jeff Zimmerman to the interplay of raw cast iron and refined stone — reflects a seamless dialogue between heritage and innovation. The result is a one-of-a-kind architectural statement: a cast-iron landmark reimagined for contemporary life and creative purpose.

Architectural Heritage

Built in 1869 and historically known as The Grosvenor Building, 64 White Street was commissioned by Matilda Grosvenor in memory of her husband, Jasper Grosvenor, a partner in the pioneering locomotive firm Rogers, Ketchum & Grosvenor. Designed by architect William W. Gardiner in the ornate Second Empire style, the building’s cast-iron façade—with Corinthian columns, Doric pilasters, and an arched pediment inscribed ‘Grosvenor Building 1869’—remains a defining emblem of Tribeca’s industrial era.

Spatial Composition

• Three-story atrium with rigging beam for large-scale installations
• Floating marble staircase with continuous veining
• Whitewashed brick walls and original cast-iron columns

Levels

• Street Level (3,300 SF): Expansive exhibition hall with oversized windows and soaring 16’ ceiling height
• Lower Level 1 (1,785 SF + 545 SF): Ideal for private offices, viewing rooms, or showroom space
• Lower Level 2 (2,518 SF + 406 SF): Archive, conference, and catering areas with flexible use potential

Systems

• Fully modernized mechanical, electrical, and HVAC systems

Architectural Features

• Cast-iron façade with 30 feet of frontage
• Landmarked within the Tribeca East Historic District

Property Specifications

• Total area: 8,554 SF
• Zoning: C6-2A
• Tax Class: 4
• Turnkey condition for creative commercial use

Location

Set between Broadway and Church Street, 64 White Street anchors a block that epitomizes Tribeca’s duality of heritage and modern luxury. Surrounded by galleries including Bortolami, Andrew Kreps, and Anton Kern, the address sits amid cobblestone streets, Michelin starred restaurants, and flagship fashion houses. In a neighborhood where industrial history and contemporary design converge, 64 White Street embodies both the historic soul of cast iron and the vision of a modern masterpiece.